Thereby, taking their gratuitousness into account and using or overusing various ways to change shape −even through their tools / technologies; own or invented, until reaching to what would be called “not painting” − so that it is not only to be considered a series of layers of pigment, but a way to reformulate and experiment with towards their transformation.
Concretely, in their corporeity, their political and public definitions even their rendering as a democratic act, as anthropological fact.
